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  • Mosar

    Music: Grauton introduces over ambient clouded bed, struck occasionally by fuzzed guitar tones, now looped, now fading, passed from view, met with some glittering guitar and piano in next piece “BlickDicht,” trailing soft white noise paths in shimmering reverberations. And as 17 pieces progress, of shorter lengths, the Fuhs approach is clear – a soundworld reducing, expanding in effects.